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161Published 2000“…Using a mixture of documentary material they shot themselves, historical material and half-scripted scenes, the filmmakers show a year in the life of the village of Bystré, in the Orlické mountains, a former textile region experiencing significant economic and demographic change. …”
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162Published 2000“…Among them were the sons of József Révai, Mátyás Rákosi's daughter, filmmaker Márta Mészáros, János Kende, and Pál Schiffer. …”
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163
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164Published 1988“…With its use of expressionistic reenactments, interview material and music, this documentary pioneered a new kind of non-fiction filmmaking.…”
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165Published 2000“…Among them were the sons of József Révai, Mátyás Rákosi's daughter, filmmaker Márta Mészáros, János Kende, and Pál Schiffer. …”
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166Published 1988“…With its use of expressionistic reenactments, interview material and music, this documentary pioneered a new kind of non-fiction filmmaking.…”
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167Published 1989“…Duration: 00:28:00 In 1989 the Finnish documentary filmmaker sets out to trace the Buriat lady who as a 5-year-old kid was featured on the photo "The Child On the Hands of Stalin". …”
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168Published 2010“…The filmmaker traveled through Europe in order to explore and document well established eco-communities that portray some of the broad spectrum of lifestyle possibilities that are part of our global effort to transition to a sustainable world. …”
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169Published 2007“…Verzio FF submission OilCrash, produced and directed by award-winning European journalists and filmmakers Basil Gelpke and Ray McCormack, tells the story of how our civilization’s addiction to oil puts it on a collision course with geology. …”
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170
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171Published 1968“…Filmmaker Jan Nemec and his crew risked their lives to create this historic documentary account of the 1968 Soviet invasion of Czechoslovakia. …”
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172Published 2009“…As the only foreign documentary filmmaker granted permission to shoot President Ahmadinejad, Lom was given extraordinary access, joining him on several of his populist trips to the countryside to capture the widely varying attitudes of Iranians toward their multi-faceted leader. …”
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173Published 2002“…Verzio FF submission Roma and racists in the same fan club: the filmmakers shot this film about the nature of racism in a peculiar situation. …”
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174Published 2007“…Verzio FF Submission (films from the 2007 Yangon Film Schools Beginners Workshop) This DVD contains works by 12 new participants in The Art of Documentary Filmmaking Beginners Workshop in 2007, who were given the opportunity to grapple with the technical, artistic and ethical aspects of the genre by producing their own short documentaries on the topic of children in Myanmar. …”
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175Published 2010“…Film for LIDF 2010 Filmmaking for Social Change. Duration: 00:11:00 Through the story of Qais Din, a Pakistani man who died in the bomb blast in Lahore in 2009, the film tries to put a face to the victims who get killed monthly in bomb blasts and terrorists attacks in Pakistan, and humanize their deaths by pulling their names out of the ranks of simply statistics. …”
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176Published 1999“…With covered faces they talk about years of abuse, violence, rape, loneliness and isolation. The filmmakers have visited the refuge for women and children, the victims of violence, the Center for Social Work, the group for non-violent communication - in which men try to change their violent behaviour, and met with historians and anthropologists to understand the issue of domestic violence.…”
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177Published 2007“…In this intimate and personal portrait the filmmakers join two young female elite soldiers trained for the ultimate mission. …”
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178Published 1997“…Attacked in 1977 by gay bashers on the streets of San Francisco, filmmaker Arthur Dong confronts murderers of gay men face-to-face in his film. …”
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179Published 1924“…Duration: 01:22:00 The first full-length feature project of filmmaker Sergei Eisenstein, Strike is a government-commissioned celebration of the unrealized 1905 Bolshevik revolution. …”
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180Published 2003“…Duration: 00:11:00 The film is set in the Udege community, of whom only two thousand currently survive in the Far East in Russia. The filmmaker uses a collage of native paintings, footage of the surrounding nature, and foreboding sounds from the local environs to introduce community's cosmology, framed by the commentary of indigenous woman during the course of the Shaman's ritual. …”