Vagy-vagy (Privát Magyarország 3)
Sensual and unconscious, perhaps this is the best metaphor characterizing a “neo-Freudian-slip” film. Hungarian petite-bourgeois families find protection from the terror of communism in their private sphere and the ancient human dramas, muffled amorous dependencies, the hardly visible, but yet palpa...
| Institution: | Open Society Archives at Central European University |
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| Language: | English |
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| Online Access: | http://hdl.handle.net/10891/osa:1195e712-348f-4f6a-aeaa-a01d1fdec4dc |
| Summary: | Sensual and unconscious, perhaps this is the best metaphor characterizing a “neo-Freudian-slip” film. Hungarian petite-bourgeois families find protection from the terror of communism in their private sphere and the ancient human dramas, muffled amorous dependencies, the hardly visible, but yet palpable relationships are grasped by the viewers’ eyes through coming into sight meditatively. In private life, everything goes on even if the spontaneous actors do not see what they look at. This film is exactly what it seems to be: the never before seen denouncer of invisible and sensual relationships.
Péter Forgács |
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