Early Cinema: Primitives and Pioneers 1

The BFI's fascinating collection of 60 short films all made before 1911 comes to DVD with the aim of giving wider access to some of the extraordinary film material held in the National Archive, much of which has been restored. Although most films made at this time were actualities and newsreels...

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Bibliographic Details
Institution:Open Society Archives at Central European University
Published: British Film Institute
United Kingdom
Subjects:
Online Access:http://hdl.handle.net/10891/osa:a46e26bd-7868-4799-862c-f7f00a1af52c
Description
Summary:The BFI's fascinating collection of 60 short films all made before 1911 comes to DVD with the aim of giving wider access to some of the extraordinary film material held in the National Archive, much of which has been restored. Although most films made at this time were actualities and newsreels, this collection contains mostly fiction films, ranging from the dramatic to the comic and the fantastical. This double-disc set provides an entertaining look at how many film devices such as the close-up, the cut-away and editing, were first invented by film-makers before the turn of the century (1895-1910). Amongst the many gems in this compilation are: * 13 shorts by the Lumire brothers, which formed the first projected film show to a paying public in Britain - at Regent Street Polytechnic in 1896. * George Mlis' Voyage a travers l'impossible. * Birt Acres' Rough Sea at Dover. * Nine films by the Path Brothers, including Ali Baba et les quarante voleurs and an example of early film voyeurism in Peeping Tom. * Five films from the Hepworth Company, including the highly successful kidnapping drama Rescued by Rover. * An actuality publicity film commissioned by the biscuit company Peek Frean & Co. * A Day in the Life of a Coalminer, a documentary produced by the Kineto Production Company in 1910. * From the Edison Company; Dewar's It's Scotch (reputedly the first advertising film), Edwin S Porter's The Gay Shoe Clerk, The Great Train Robbery and the popular The Dream of a Rarebit Fiend (adapted from Winsor McCay's comicstrip). There are also films by R W Paul, George Albert Smith, Sheffield Photographic Company, Walter Haggar, James Bamforth and James A Williamson. New improvised scores provided by Neil Brand, John Sweeney and Stephen Horne, pianists at the BFI's National Film Theatre, accompany the films.